\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { \bar "" \break }
bBreak = { \break }

\header {
   tagline = ""
   title   = "Siele die geneygt tot lieven / Altijd liever lieft [...]"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key f \major \clef treble
    
        %
                    \relative g' {
         
                \set melismaBusyProperties = #'()
                
                \time 2/2
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                c,4 c f f d4. g8 e4 d16( c8.)\sb 
 \mBreak f4 f8( e) d4 d e4. f8 g2\sb 
 \mBreak a8( g) f( e) d4 e8( f) e(d4) c8 c2\bar ":..:"
 \bBreak c'4 c8( bes) a( g) f4 bes4. a8 g4 g\sb 
 \mBreak a4. g8 f4 e16( d8.) e4. f8 g2\sb 
 \mBreak c,4 f e f16( g) a8 g4. f8 f2\bar "|." \bBreak 
                    }
                                            \addlyrics {	
                Sie -- le die ge -- neygt tot lie -- ven, _ 
Al -- tijd _ lie -- ver lieft dan leeft. 
Seg _ wat _ u be -- _ too -- _ vert heeft; 
Die wel _ pleegt _ een hayr te clie -- ven 
Door een der -- tel _ on -- der -- scheyd. 
Sie! wat heeft u _ _ dus ver -- leydt?
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 120 4)
		}
	}
	\layout { 
			}
}