\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { \bar "" \break }
bBreak = { \break }

\header {
   tagline = ""
   title   = "Anna stond te wachten, te wachten op haar man, / ' [...]"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key c \major \clef treble
    
        %
                    \relative g {
         
                \set melismaBusyProperties = #'()
                \partial 8*4
                \time 4/4
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                c8 d e f |g4 c8 g a c b a | g2
 \mBreak f8 f f f | e4 g e8 f e d | c
 \mBreak g'16 g c8 d, d g16 g c8 c, | c4
 \mBreak g'8 g g g c c, | c4
 \mBreak e8. e16 d8 d c4 |
 \mBreak c8 d e f g4 c | a8 c b a g2
 \mBreak f8 f f f e4 g | d8 f e d c
 \mBreak e16 f g4 | b c \bar "|." \bBreak 
                    }
                                            \addlyrics {	
                An -- na stond te wacht -- ten, Te wach -- ten op haar man.
's-Nachts om twa -- lef u -- ren kwam die smeer -- lap an.
Goe -- ien a -- vond, An, Goe -- ien a -- vond,  Jan,
waar kom jij zo laat van -- daan?
Dat gaat jou niks an.
An -- na ging naar bo -- ven, haal -- "d'een" dik -- ke stok,
An -- na kwam be -- ne -- den sloeg Jan op zijn kop.
Van je een twee drie.
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 120 4)
		}
	}
	\layout { 
			}
}