\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Al weent dit soete kind, 't en is voorwaer geen wo [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key g \minor \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 2/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) g2 d'4 d bes4. a8 g4 \mBreak g c c es8( d) c( bes) a2 g4 \mBreak d g bes a4. g8 fis2. \mBreak fis4 g g a4. a8 bes2 bes4 \mBreak d c d bes4. a8 a2. \mBreak bes4 a bes g a fis2. \mBreak a4 bes bes c4. d8 d2. \mBreak f,4 g8( a) bes4 bes4. a8 bes1 \bar ".|:" \bBreak d4 d c bes a g fis d \mBreak bes' a g f es4. d8 d2 \mBreak es4 f g a bes4. c8 a4 f \mBreak bes c d2 \mBreak g,4 a bes2 \mBreak d4 g, fis g8( a) a2. g8( fis) g1 \bar ":|." \bBreak } \addlyrics { Al weent dit zoe -- te kind, "'t en" is voor -- waar _ geen _ won -- der: De kou die speelt hier in van bo -- ven en van on -- der, De ha -- gel en de sneeuw, de stu -- re noor -- den -- wind, He -- laas, is dat niet herd voor zulk _ een teer jong kind? Ach, wie kan dit wel door -- gron -- den? Die het al ge -- scha -- pen heeft, Leit in doek -- skens teer ge -- won -- den, En van kou En van rouw En van kou hier _ schudt en _ beeft! } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" Voortekening in bron: 1 mol. " }