\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Vier mennekes met vier mutskes, / Die kwamen daar [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key bes \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 8 \time 6/8 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) f8 bes bes bes bes4 bes8 bes4. f4 \mBreak f8 g4 f8 g4 a8 bes4. r4 \mBreak f8 bes4 bes8 bes4 bes8 bes4. f4 \mBreak f8 g g f g g a bes4. r4 r8 \mBreak bes4 bes8 \times 2/3 {bes8 bes bes} bes8 bes4 bes8 bes4 \mBreak bes8 bes4 bes8 bes4 bes8 bes bes bes bes \mBreak bes bes bes4. r8 bes bes bes4.^"1)" r4 \mBreak bes8 bes4 bes8 c4 bes8 bes4. as4 \mBreak as8 g4 g8 g f g es4. r4 \mBreak a8 bes4. r4 a8 bes4. r4 bes8 bes4.~ bes4 \bar "|." \bBreak } \addlyrics { Vier men -- ne -- kes met vier mut -- skes, Die kwa -- men daar ge -- gaan, Ze vroe -- gen om te rust -- en "Aan 't" Schel -- je -- ke ble -- ven ze staan "'t Is" van "'t Schel" -- je -- ke den o -- ver -- gang Den ee -- nen ging den an -- de -- ren kwam, Sa ge -- lijk, Sa ge -- lijk! En laat ons toch niet val -- len Met ons neus -- jen in het slijk Al een, Al twee, Al drij. _ } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" 1) Ongepuncteerde kwartnoot in bron. " }