\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "'t Zingen der vogelen streelt ons gehoor Kwikmedit [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key g \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 6/8 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) g8. g16 g8 d'd d b8. b16 b8 a4 r8\sb \mBreak a16.^"p" a32 a8 r8 a16. a32 a8 r8\sb \mBreak b8 b b a8. b16 c8 d4.~d4 r8\sb \mBreak a8 a a c a fis g g b d4 r8\sb \mBreak a8 a a c a fis g g b d4 r8\sb \mBreak d16.^"p" d32 d8 r8 d16. d32 d8 r8\sb \mBreak g8 e c b8. c16 a8 g4.~g4 r8\bar "|." \bBreak } \addlyrics { "'t Zin"-- gen der vo -- ge -- len streelt ons ge -- hoor Kwik -- me -- dit kwik -- me -- dit Roept ons de kwar -- tel "in 't" oor _ Als wij "door 't" gol -- ven -- de ko -- ren -- veld gaan Ho -- ren wij "'t bees"-- tje zoo lie -- fe -- lijk slaan Kwik -- me -- dit kwik -- me -- dit Vangt het van nieuws we -- der aan _ } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 104 4) } } \layout { } } \markup { \wordwrap-string #" Tweestemmige notatie in de bron. " }