\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Komt zingen wij een lied; [geen wijsaanduiding]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key g \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 4 \time 4/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) d4 g4. d8 g( b) a( c) \time 3/4 b r r2 \mBreak \time 2/4 r4 d \time 4/4 d4. d8 c8. b16 c8 d b2. \mBreak d,4 g4. d8 g( b) a( c) \time 3/4 b r r2 \mBreak \time 2/4 r4 d8. d16 \time 4/4 d4. d8 c8. b16 c8 d b2. r8 \mBreak g fis a a a16 a fis8 a a a b4. a8 b4. \mBreak a8 fis a a a16 a fis8 a a a b4. a8 b4. \mBreak d16 d c8 b a g fis e d8. \mBreak d16 d8 d' d8. c16 b4. \mBreak g8 fis a a a16 a fis8 a a a b4. a8 b4. \mBreak a8 fis a a a16 a fis8 a a a b4. a8 b4. \mBreak d16 d c8 b a g fis e d8. \mBreak d16 d8 d' d8. c16 b4. \bar "|." \bBreak } \addlyrics { Kom zin -- gen wij _ een _ lied. Wij zijn er nu zo lus -- tig bij. Ver -- ban -- nen "in 't" _ ver _ -- driet, Schei -- den wij de zor -- gen aan ons zij. Komt tapt eens vol en dan drin -- ken wij "in 't" rond, "in 't" rond, Komt tapt eens vol en dan drin -- ken wij "in 't" rond, "in 't" rond. En het drin -- ken doet ons vro -- lijk zijn En maakt ons hart ge -- zond. Komt tapt eens vol en dan drin -- ken wij "in 't" rond, "in 't" rond, Komt tapt eens vol en dan drin -- ken wij "in 't" rond, "in 't" rond. En het drin -- ken doet ons vro -- lijk zijn En maakt ons hart ge -- zond. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } }