\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Schone Nimphen die de baeren / met uw blonde haeren" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key bes \lydian \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 4/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) bes4. a8 bes c d e f4 f \mBreak g8( a) bes4 a4. g8 f4 f \mBreak bes f g f8( es) d4. es8 f4 \mBreak es8( d) c4 d bes c a4. g8 f4 f \bar ":..:" \bBreak bes4. c8 d c bes a g2 \mBreak g4 g es'4. f8 g f es d c2 \mBreak f4 f8 e d2 \mBreak bes'4 bes8 a g4 a8( bes) g4. f8 f2 \mBreak bes8 f bes a g2 \mBreak g8 g a bes a4. \mBreak g8 f8. g16 f8. es16 d8. c16 d8. es16 c4. bes8 bes1 \bar ":|." \bBreak } \addlyrics { Scho -- ne Nim -- phen die de bae -- ren, met _ uw blon -- de hae -- ren aer -- digh ciert, en _ staeg door -- swiert be -- _ stiert, en al -- tijt derft be -- vae -- ren "'k bid" uw me -- de -- do -- ge toon, en ver -- soeck aen al -- le wae -- ter -- goon, dat men ver -- schoon die in mijn hert sit _ op den Throon; Laet de Wint -- godt mee, op de wil -- de zee te hul -- pe koo -- men tot de langh ge -- wens -- te Ree. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } }