\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Hoe singt ginder onder 't lommer Galathe / hoe spr [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key a \minor \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 4 \time 4/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) a'4 a1 a,4. b8 c4. a8 e'4. e8 a4. b8 gis4. \mBreak \ficta fis16( gis) a4. d,8 e4. d8 c4. b8 c4. a8 \mBreak a'4. a8 a4. g8 g4. fis8 g2. g4 f4. e8 d4. c8 b2. \mBreak c4 d4. e8 f4. g8 e2. \mBreak e4 a4. b8 a4. g8 fis4. g8 e4. fis8 dis2 \mBreak b'4. a8 g( \ficta fis) g( a) fis4. e8 e2. \bar ":..:" \bBreak } \addlyrics { Hoe singt gin -- der on -- der "'t lom" -- mer Ga -- la -- the, hoe _ springt het bees -- je son -- der kom -- mer, al -- les is in rust en vree: Phi -- lan -- der die sit mee, ge -- rus -- jes bij zijn vee, drinckt zijn ge -- noe -- gen uijt, door "'t soet" ge -- luijt, van de bos -- galm op zijn fluijt. hoe spie -- ge -- len, de Streeck - jes, van de Eeck -- jens, in de Beeckjens, siet het vee, de Bock -- jens on -- der "'t sin" -- gen, sprin -- gen mee, met een bots van rots op rots, van stee op stee, om strydt, ver -- blydt, ter -- wijl de Nach -- te -- gael singht, dat het klinckt, en "'t dor" -- stigh hert -- jen uijt de spring -- bron drinckt. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } }