\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { }
bBreak = { }

\header {
   tagline = ""
   title   = "Gavotte Stéphanie"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key bes \major \clef treble
    
        %
                    \relative g' {
         
                \set melismaBusyProperties = #'()
                
                \time 4/4
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                r1 d'16\pp \staccato \segno d\staccato d\staccato d\staccato d8\staccato cis\staccato d8\staccato es\staccato bes\accent \staccato c\staccato
d16 \staccato d\staccato d\staccato d\staccato d8\staccato cis\staccato d8\staccato es\staccato bes\accent \staccato c\staccato
d16 \staccato d\staccato d\staccato d\staccato d8 \staccato es\staccato f16\staccato f16\staccato f16\staccato f16\staccato f8\staccato fis\staccato
g16\staccato g\staccato g\staccato g\staccato g8\staccato f\staccato es\staccato d\staccato cis\staccato d\staccato
d16\pp \staccato d\staccato d\staccato d\staccato d8\staccato cis\staccato d\staccato es\staccato bes\accent \staccato c\staccato
d16\staccato d\staccato d\staccato d\staccato d8\staccato cis\staccato d\staccato es\staccato bes\staccato c\staccato
d16 d d d d8 es f16 f f f f8\staccato fis\staccato g16 g g g g8 a\staccato bes8 r8 r4 \fine r1 \bar ".|:" \key f\major
r1 r4 r4 c,,8[\pp ^"pizz." r8 d] r8 c[ r8 c] r8 c[ r8 d] r8 c[ r8 c] r8 c[ r8 a'] r8 
a8[ r8 g] r8 d[ r8 e] r8 d[ r8 c] r8 c[ r8 d] r8 c8[ r8 c] r8 c[ r8 d] r8 c[ r8 c] r8 c[ r8 a'] r8 a[ r8 g] r8 bes[ r8 e,] r8 f4 r4 r2 \bar ":|."
r1 \segno \dsf \bar "||" \key bes\major
bes'16\mf ^"Slot" bes bes bes bes8[ g] e[ cis] bes g f4\p r4 f r4 bes4\pp r4 bes r4 bes4 r4 r2 \bar "|."
                    }
                                            \addlyrics {	
                
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 120 4)
		}
	}
	\layout { 
			}
}
	
	\markup {
		\wordwrap-string #"
		Het stuk begint met 20 maten rust; boven maat 10 staat 16 maten rust; boven maat 11 staat 7 maten rust; boven maat 21 staat 16 maten rust. Tijdens al deze rusten speelt het orkest of de piano, partijen die niet in het handschrift zijn opgenomen.
In maat 22, waar Slot staat,  begint het coda.
		"
	}