\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Vervloekte ondankbaarheit die Theseus hart regeert [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key b \dorian \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 4*1 \time 3/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) fis4 b cis d d( cis) d cis2 cis4 d( cis) cis cis( ais) b ais2 \mBreak ais4 b2 d4 d( b8 a gis fis) eis2 cis'8( fis,) b4( cis) d gis,2 fis4 a2 \bar ":..:" \bBreak a4 a( g) fis g( fis) g e2 a4 e( fis) g fis2 e8( d) d2 \mBreak d'4 cis cis8 cis dis4 e2 e4 e8 e dis4. e8 e2 \mBreak fis4^"1)" e cis d^"2)" ais2. c2.^"3)" b2 d4 d8( cis) cis4 dis e( g8 fis e d cis b ais4) ais d e e fis8( cis) cis4. b8 b2 \bar ":..:" \bBreak } \addlyrics { Ver -- vloek -- te on -- dank -- _ baar -- heit die The -- _ seus hart _ re -- geert, die my den ne -- _ _ _ _ k, die _ my _ den nek toe -- keert. Ik red _ hem uit _ de dood, om -- hels _ hem in myn _ schoot, en noch ont -- vlugt hy my, en spot met my -- nen nood; Ach The -- seus, ach! keer, keer, keer, myn waar -- _ de, myn wa -- _ _ _ _ _ _ _ ar -- de, myn waar -- de _ Bed -- ge -- noot. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" 1) Fis of gis in bron. 2) D of cis in bron. 3) Ongepuncteerde halve noot in bron. " }