\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Neen 'k trouw niet myn Zoetje, Maar wilt gy met my [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key a \minor \clef treble % \relative g { \set melismaBusyProperties = #'() \partial 2*1 \time 3/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) b2 e,4. d8 c4 g' a g a b c b2 b4 a4. b8 g4 fis d \mBreak c' a b c b g c, d2 d4 \pv g,2. \bar":|." \bBreak \sv g2 c'4 \xv \bar".|:" \bBreak b b a gis gis a f4. e8 d4 e2 \mBreak e4 a a8( g) f( e) d4 d d g g8( f) e( d) c4 c \mBreak c' b b c d d d, e d e \pv a,2 c'4 \bar":|." \bBreak \sv a,2. \xv \bar"|." \bBreak } \addlyrics { "Neen'k" trouw niet myn Zoet -- je, Maar wilt gy met my, In vro -- lyk -- heit lee -- ven, "'k Zal" u nooit be -- gee -- ven, Al blyf ik vrij. vrij. De vrees "van't" ver -- lie -- zen ver -- dub -- belt de lust, Dan acht men _ el -- _ kan -- der, en "d'ene" _ _ mind _ "d'an" -- der En als men ge -- trouwd is ver -- vliegt straks de rust. De rust. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" Het origineel is genoteerd in de bassleutel " }