\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { \bar "" \break }
bBreak = { \break }

\header {
   tagline = ""
   title   = "Dat 's Wyn, dat 's Wyn, / rechte Medecyn; ZANG"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key c \major \clef treble
    
        %
                    \relative g' {
         
                \set melismaBusyProperties = #'()
                \partial 4*1
                \time 2/2
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                g4 e g c, d8 e f8( e) d( c) b4
 \mBreak c'8 b a4. a8 a4 b8 c d4( g, d4.) d8 g2. \bar ":..:"
 \bBreak g8 f e4 e8 d cis4 a'8 g f4. e8 d4 d g bes a a, d2.
 \mBreak g8 f e4. d8 b4^"1)" c'8 b a( b a g) f( g f e) d4.~ d8 d4~ d a' f g4. g8 c,2. \bar "||" \bBreak 
                    }
                                            \addlyrics {	
                "Dat 's" Wyn, "dat 's" Wyn, rech -- te Me -- _ de -- _ cyn,
Vyf -- tig Jaa -- ren oud, Als du -- kaa -- _ _ ten goud:
Die Si -- leen, Zoo ik meen, Korts ont -- stoo -- len heeft een Dronk -- aard aan den Ryn,
Korts ont -- sto -- len heeft, Korts ont --  stoo -- _ _ _ len _ _ _ heeft, _ een _ Dronk -- aard aan den Ryn.
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 120 4)
		}
	}
	\layout { 
			}
}
	
	\markup {
		\wordwrap-string #"
		In de bron is het lied een octaaf lager in de bassleutel genoteerd.

1) B of C in bron.
		"
	}