\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { \bar "" \break }
bBreak = { \break }

\header {
   tagline = ""
   title   = "Wie kan onder twee paar winden, / Zulke vier Bacha [...]"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key e \phrygian \clef treble
    
        %
                    \relative g' {
         
                \set melismaBusyProperties = #'()
                
                \time 2/2
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                a4. g8 f4.^"1)" d8 e4. e8 a,4 a
 \mBreak c d e8( f e d c d e f g4) a b2. a4 b8( c a c b4 b,) e1 \bar ":..:" 
 \bBreak cis4. cis8 d4 f a fis8( e) dis4.^"1)" dis8
 \mBreak b'4 b b4.^"1)" a8 b( c a c b4) e,4 e b
 \mBreak cis4.^"1)" cis8 d4 g a fis8( e) dis2
 \mBreak e4 fis g a b8( c a c b b, c a b4.) b8 e1 \bar ":..:" \bBreak 
                    }
                                            \addlyrics {	
                Wie kan on -- der twee paar win -- den,
Zul -- ke vier _ _ _ _ _ _ _ _ Ba -- chan -- ten vind -- _ _ _ _ _ den.
Die, wan -- neer zy niet en _ drin -- ken,
Met vrouw Ve -- nus stoet _ _ _ _ Rin -- kin -- ken,
Ook wel Dob -- len by den _ Wyn,
Welk een vier -- tal moet _ _ _ _ _ _ _ _ dat zyn.
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 120 4)
		}
	}
	\layout { 
			}
}
	
	\markup {
		\wordwrap-string #"
		In de bron is het lied een octaaf lager in de bassleutel genoteerd.

1) Ongepuncteerde kwartnoot in bron.
		"
	}