\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Wat hoor ik? welk een Vuur, komt Mulciber beneden? [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key c \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 4*1 \time 2/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) g4 c c e, c g'4. \mBreak g8 fis8. fis16 fis8. g16 d2 d4 r16 \mBreak d16 e fis g4. g,8 g4 g r8 \mBreak a16 b c d2^"1)" d16 e f g4. g8 e4. e8 fis4 g d4.^"2)" d8 d2 d4 r8 \mBreak g8 b g c8.^"3)" b16 b8 b b4~ b8 b b c a4 r8 \mBreak c8 e,4. e8 e4 e f2 r4 r8 \mBreak c8 c16( d c d e f e f g f g a d, e d e f e f g a g a b c b c a c b a g f e d c g'2) fis8 \mBreak g8 g4 g fis4. g8 g4 r8 \mBreak g8 c4.^"2)" b8 a4. e'8 e16( d c b a g f e d4) d d r8 \mBreak d8 c16( d e f g4) g r8 d8 d16( e f g a4) a r8 \mBreak a8 c16( d c8 b16 c b8 a16 b a8 g16 a g8 f16 g f8 e16 f e8 d16 e c8 g'4) g8 r8^"4)" \mBreak e8 e b4. c8 c4 c r4 \mBreak c'4 b c gis4. a8 f d e4 e r8 \mBreak g8 c4. g8 e4. e8 a4 f g4. g8 c,2 c4 s4 \bar "||" \bBreak \time 3/4 c2 c4 g'2 g4 c2 c4 c2 \mBreak e,4 f g2 c,2. \mBreak c2 c4 f2 f4 d2 d4 g2 g4 \mBreak gis2 gis4 a2 g4 f2 e4 e2 e4 \mBreak c'2 b4 a2 a4 g4( a8 g f e f4 g8 f e d e4 f8 e d c d4 e8 d c b) c2 c4 g'2 g4 \mBreak g2 g4 a2 a4 b2 b4 c2. \mBreak c2 b4 a8( b a g f a g a g f e g f g f e d f e f e d c4) \mBreak g'2 e4 a2 f4 g2 g4 c,2. \bar "||" \bBreak \time 2/2 r4 c4 e g c2 r4 c4 b4. c8 c4 c r4^"5)" \mBreak c2^"6)" b8( a) gis4. gis8 gis4.^"2)" a8 e4 e \mBreak c c g'4. g8 g4. f8 g2 r8 \mBreak g8 a b c4. b8 a4. e8 f( e f g a g a b c2) c4 \mBreak e, f a g4. g8 c,1 \bar ":..:" \bBreak } \addlyrics { Wat hoor ik? welk een Vuur, komt Mul -- ci -- ber be -- ne -- den? Komt Mul -- ci -- ber be -- ne -- den? } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" In de bron is dit lied in octaaf lager in de bassleutel genoteerd. 1) Gepuncteerde halve noot in bron. 2) Ongepuncteerde kwartnoot in bron. 3) Ongepuncteerde achtste noot in bron. 4) Achtste rust ontbreekt in bron. 5) Kwartrust ontbreekt in bron. 6) Kwartnoot in bron. " }