\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Christen, Heiden, Jood noch Turk, / En geen eerlyk [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key e \minor \clef bass % \relative g' { \set melismaBusyProperties = #'() \time 3/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) b,4 a8( g fis4) b4 a8( g fis4) g8( fis e fis) g( a) b2. \mBreak b4 a8( g fis4) b4 a8( g fis4) g8( fis e fis) g( a) b2. \bar "||" \bBreak g8^"1)" g g g g g d d \mBreak d d e e e e b b \mBreak g' g c c a a a4 \mBreak gis8^"2)" gis8 gis gis gis8. a16 a8 a \mBreak a8. g16 fis8 g fis e b' b \mBreak g g^"3)" b a b b e,4 \mBreak b'8 b b^"4)" a b^"5)" b, e2. \bar "|." \bBreak } \addlyrics { Chris -- ten, _ _ Hei -- den, _ _ Jood _ _ _ noch _ Turk, En geen _ _ eer -- lyk _ _ Man _ _ _ noch _ schurk, Dom -- mer dan zes die niets wee -- ten, Dron -- ken, Hoe -- rig, God ver -- gee -- ten, Een recht beest, een mor -- sig zwyn, Trots en groots op gru -- wel stuk -- ken, Bars ge -- lyk een Dwerg op Kruk -- ken, Raad wie mag dat Mon -- ster zyn. Raad wie mag dat Mon -- ster zyn. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" 1) De noten in deze maat zijn G of A in de bron. 2) Kwartnoot in bron. 3) G of A in bron. 4) B of C in bron. 5) Gepuncteerde achtste noot in bron. " }