\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Al wie zich begeeft tot paaren, / Waagt zich aan e [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key bes \lydian \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 3/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) d'2 bes4 f'2 f4 es2 f4 d2 d4 \mBreak c2 d4 bes2 c4 c2 bes4 a2 f4 \mBreak c'2 d4 es2 g,4 c2 bes4 a2. \mBreak c2 f4 d2 g4 e2 f4 f2. \bar ":..:" \bBreak c2 d4 es2 es4 d2 es4 c2 c4 \mBreak d2 c4 bes2 a4 g2 f4 f2. d'2 e4 f2. \mBreak f2^"1)" f,4 bes2 c4 c2 bes4 bes2 \bar ":..:" \bBreak } \addlyrics { Al wie zich be -- geeft tot paa -- ren, Waagt zich aan een reeks ge -- vaa -- ren, Zoo ja -- loers -- heit hem ver -- zelt; Die "'t hart" on -- op -- houd -- lyk kwelt; Want, wie kan een Vrouw be -- waa -- ren, Die haar' drift geen' paa -- len stelt? paa -- len stelt? Dies neem nooit een Vrouw om "'t gelt." } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" 1) E of F in bron. " }