\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Ach! wat behaagt het Fluitespel, / Myn hart en jon [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key a \minor \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 2/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) r4.^"1)" a8 a4. a8 gis4. gis8 a4. a8 e4. \mBreak d8 c4. c8 b4. a8 e'2 a,4. \mBreak a'8 a4. a8 gis4. gis8 a4. a8 e4. \mBreak d8 c4. c8 b4 a e'2 a, \mBreak a'4. a8 d4. c8 b4. a8 g4. \mBreak e8 f4.^"2)" e8 d4. d8 g4. g8 c,2. \mBreak c8^"3)" c d4. e8 f4. d8 e4. \mBreak d8 c4. c8 b4 a e'4. e8 a,1 \bar "|." \bBreak } \addlyrics { Ach! wat be -- haagt het Flui -- te -- spel, Myn hart en jon -- ge zin -- nen, Ik heb een aar -- dig jong ge -- zel, Die daar -- om is te min -- nen, Ik be -- min hem, ik be -- kent, Al -- leen -- ig om zyn In -- stru -- ment, Ik nam hem tot knecht, al -- leen, Om dat hy speelt zoo on -- ge -- meen. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" In de bron is het lied een octaaf lager in de bassleutel genoteerd. 1) Kwartrust en hele rust in bron. 2) Ongepuncteerde kwartnoot in bron. 3) Kwartnoot in bron. " }