\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { \bar "" \break }
bBreak = { \break }

\header {
   tagline = ""
   title   = "In God is al mijn toeverlaet / En mijn betrouwen i [...]"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key c \major \clef treble
    
        %
                    \relative g {
         
                \set melismaBusyProperties = #'()
                
                \time 4/2
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                r2^"1)" c c c d1 c2 f1 e2 f1~^"2)" f r2
 \mBreak d e f g1 g2 d e1 d^"3)"
 \mBreak e2 f e f d c1 b
 \mBreak c2 d d d e e c f( e) d c1 r2
 \mBreak g' g g g g f1 d e2.(^"4)" d4 c2 f1 e2 d1) c1 \bar "|." \bBreak 
                    }
                                            \addlyrics {	
                In God is al mijn toe -- ver -- laet _
En mijn be -- trou -- wen in hem staet.
Waer om wilt ghi mi ter -- ghen?
En seg -- ghen mijn sie -- le met woer -- _ den quaet
Wilt vlie -- ghen tot die ber -- ghen ber -- _ _ _ _ _ ghen.
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 120 4)
		}
	}
	\layout { 
						
	\context { \Staff \remove "Time_signature_engraver" }
	\context { \Score \remove "Bar_number_engraver" defaultBarType = #"" \override PaperColumn #'keep-inside-line = ##t \override NonMusicalPaperColumn #'keep-inside-line = ##t }			}
}
	
	\markup {
		\wordwrap-string #"
		1) Lijkt op een hele rust in de bron.

2) Brevis in bron.

3) In versie 1540b is na deze noot een halve rust genoteerd.

4) Ongepuncteerde halve noot in bron. De punt is toegevoegd op grond van versie 1540b.
		"
	}