\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "O Heer u wil ick prisen / Dat ghi mijn ontfanger zijt" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key g \dorian \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 4/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) g1 d2 g f g a( bes2. a4 bes g) f1 \mBreak d2 bes' a4 g c2^"1)" a1 g^"2)"~ g \mBreak g1 d2 g f g a( bes2. a4 bes g) f1 \mBreak d2 bes' a4 g c2^"1)" a1 g^"2)"~ g r2^"3)" \mBreak g bes4 a bes c d2 g,^"4)" \mBreak bes a g f4(^"5)" e f) g a1 r2 \mBreak a bes c d bes a bes4( a bes g f2) \mBreak d bes' bes c a1 g \bar "|." \bBreak } \addlyrics { O Heer u wil ick pri -- _ _ _ _ sen Dat ghi mijn ont -- fan -- ger zijt. _ U wil ick eer be -- wi -- _ _ _ _ sen Dat ghi niet en hebt ver -- blijt. _ Mijn vy -- an -- den die plaech -- den En mi ver -- druc -- _ _ ten hier. Als ick riep en -- de claech -- den _ _ _ _ Ghe -- naest ghi mijn dan -- gier. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { \context { \Staff \remove "Time_signature_engraver" } \context { \Score \remove "Bar_number_engraver" defaultBarType = #"" \override PaperColumn #'keep-inside-line = ##t \override NonMusicalPaperColumn #'keep-inside-line = ##t } } } \markup { \wordwrap-string #" 1) Clemens heeft hier een bes. 2) Brevis in bron 3) In versie 1540b is de rust weggelaten. Bij Clemens staat hier een hele rust. 4) In versie 1540b staat nog een tweede halve noot g. Boven de halve noot d staat het woord 'mi'. 5) Versie 1540b heeft hier als kwartnoten g-f-e-f. " }