\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { \bar "" \break }
bBreak = { \break }

\header {
   tagline = ""
   title   = "Vrolijc en bly / Loeft God ghi aertsche scaren"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key f \major \clef treble
    
        %
                    \relative g' {
         
                \set melismaBusyProperties = #'()
                
                \time 4/2
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                f1 g2 g a1 r2
 \mBreak a2 bes bes a2.(^"1)" g8 f e4) d g2.( f4 f1 e2) f1
 \mBreak f1 g2 g a1 r2
 \mBreak a2 bes bes a2.(^"1)" g8 f e4) d g2.( f4 f1 e2) f1
 \mBreak \bar ".|:" f2 c' c bes a f g a1 r2
 \mBreak a2 a a bes a g f e1 r2
 \mBreak c2 d e f c d e f1 r2
 \mBreak bes2^"2)" bes bes4 bes a2.^"3)" g8( f) e4( d g2. f4 f1^"4)" e2) f1 \bar "|." \bBreak 
                    }
                                            \addlyrics {	
                Vro -- lijc en bly 
Loeft God ghi aert -- _ _ _ sche sca -- _ _ _ ren
Gheeft hem glo -- ry,
Sijn lof wilt o -- _ _ _ pen ba -- _ _ _ ren.
Tot God wilt spre -- ken groot en cleyn
Won -- der -- lijc zijn u wer -- cken reyn
Int swe -- relts pleyn Maer dit cer -- teyn
Ver -- sa -- ken die lo -- ghe -- _ na -- _ _ _ _ _ ren.
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 120 4)
		}
	}
	\layout { 
						
	\context { \Staff \remove "Time_signature_engraver" }
	\context { \Score \remove "Bar_number_engraver" defaultBarType = #"" \override PaperColumn #'keep-inside-line = ##t \override NonMusicalPaperColumn #'keep-inside-line = ##t }			}
}
	
	\markup {
		\wordwrap-string #"
		In de bron staat het lied een octaaf lager in de tenorsleutel genoteerd.

1) Versie 1540b heeft het melisma op de volgende noot en lettergreep. Bij Clemens duurt dit melisma twee noten langer, en het volgende twee noten korter.

2) Clemens heeft hier een a.

3) Clemens heeft hier een melisma van zes noten op 'loe'.

4) Clemens heeft op deze en de volgende noot een melisma op 'na'.
		"
	}