\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "O God wilt mi salveren / Het water coemt mi aen" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key g \mixolydian \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 4/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) r2 g2^"1)" g g a b c1 c r2 \mBreak b2 a1 g2 c1 b2 c1 r2 \mBreak c2 b b c c d1 d r2 \mBreak c2^"2)" b2. c4 d2 c a1 g r2 \mBreak g2 a a d d c1 b \mBreak a1 g f2 g e1 d r2 \mBreak \bar ".|:" d2 a'1 a2 a b c d1 d r2 \mBreak c2 b2.( a4) g2 b a1 g1 \bar "|." \bBreak } \addlyrics { O God wilt mi sal -- ve -- ren Het wa -- ter coemt mi aen Het li -- den wil mi de -- ren Heel la -- ten te gron -- den gaen. Seer diep ben ic ghe -- son -- cken Ver -- druct van een tem -- peest. Ic riep, mijn woer -- den die clon -- cken Als ick _ was seer be -- vreest. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { \context { \Staff \remove "Time_signature_engraver" } \context { \Score \remove "Bar_number_engraver" defaultBarType = #"" \override PaperColumn #'keep-inside-line = ##t \override NonMusicalPaperColumn #'keep-inside-line = ##t } } } \markup { \wordwrap-string #" In de bron staat het lied een octaaf lager in de tenorsleutel genoteerd. 1) Bij Clemens ontbreekt het woord 'O', en staat op de volgende twee noten een overbinding op 'wilt'. 2) Versie 1540b heeft voor deze regel de tekst: 'Te gronde laten gaen'. " }