\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "In u staet al mijn hoep o Heer / Laet mi bescamen [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key g \dorian \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 4/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) r2 g2 f e d g g f g1 r2 \mBreak g2 a a a g c bes a1 r2 \mBreak g2 f e d bes'1 a( g2) a1 r2 \mBreak d,2 f f f f g g d2.( e4 f g a2. g4 f^"1)" e f2 e4 d f1) r2 \mBreak f2 bes bes a g c bes a1 r2 \mBreak g2 f e d bes'1 a( g2) a1 r2 \mBreak a2 bes a g d r2 \mBreak a'2 bes a4 a^"2)" f2 g r2 \mBreak d2.(^"3)" e4) f( g a bes c a) bes2 a2. g4( g1 f2) g1 \fermata \bar "|." \bBreak } \addlyrics { In u staet al mijn hoep o Heer Laet mi be -- sca -- men nem -- mer -- meer. Vrijdt my met u ghe -- na -- _ den Ver -- lost mi hier uut mi -- nen seer _ _ _ _ _ _ _ _ _ _ _ U oo -- ren neycht: coemt tot mi neer. Be -- waert mi van -- den qua -- _ den Weest mijn voer -- stan -- der Ghi en -- de gheen an -- der Als _ ick _ _ _ _ _ ben be -- la -- _ _ den. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { \context { \Staff \remove "Time_signature_engraver" } \context { \Score \remove "Bar_number_engraver" defaultBarType = #"" \override PaperColumn #'keep-inside-line = ##t \override NonMusicalPaperColumn #'keep-inside-line = ##t } } } \markup { \wordwrap-string #" 1) Clemens heeft hier een hele noot f, in plaats van de kwartnoten f-e en de halve noot f. 2) Clemens heeft hier een g. 3) Clemens heeft in deze regel een melisma van vier noten op 'Als', een melisma van vijf noten op 'ick' en een melisma van twee noten op 'la'. Versie 1540b heeft een melismen van vier noten op 'Als' en 'ick'. " }