\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { \bar "" \break }
bBreak = { \break }

\header {
   tagline = ""
   title   = "Ghi wout ghebenedyen / U aertrijck lieve Heer"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key g \dorian \clef treble
    
        %
                    \relative g' {
         
                \set melismaBusyProperties = #'()
                
                \time 4/2
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                r2 g,2 g g g g g4(^"1)" a bes c d2) d r2
 \mBreak f2 e d c c bes1^"2)" \fermata r2
 \mBreak \bar ".|:" d2 d c d^"3)" g f4(^"4)" e d c bes a a^"5)" g c2) c r2
 \mBreak d2^"6)" bes a^"7)" g f g1 \bar "|." \bBreak 
                    }
                                            \addlyrics {	
                Ghi wout ghe -- be -- ne -- dy -- _ _ _ _ en
U aert -- rijck lie -- ve Heer
En Ja -- cob woudt ghi vry -- _ _ _ _ _ _ _ _ en
Die lach ghe -- van -- ghen seer.
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 120 4)
		}
	}
	\layout { 
						
	\context { \Staff \remove "Time_signature_engraver" }
	\context { \Score \remove "Bar_number_engraver" defaultBarType = #"" \override PaperColumn #'keep-inside-line = ##t \override NonMusicalPaperColumn #'keep-inside-line = ##t }			}
}
	
	\markup {
		\wordwrap-string #"
		1) Vanaf hier tot aan het einde van deze regel is de melodie in de bron mogelijk: f-g-a-bes-c-c.
De transcriptie is aangepast naar versie 1540b en Clemens.

2) A of bes in bron.

3) Versie 1540b heeft hier in de tekst: 'wout'.

4) De kwartnoten in het melisma kunnen in de bron ook f-e-d-c-bes-a-g-g-f zijn. De transcriptie is aangepast naar versie 1540b en Clemens.

5) Bij Clemens ontbreekt deze noot.

6) In versie 1540b ontbreekt hier de mol aan de sleutel.

7) 1540b heeft hier een bes. Clemens heeft hier een gepuncteerde halve noot a, een kwartnoot g, een hele noot g, een halve noot f(is) en dan de slotnoot g.
		"
	}