\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Ons toevlucht Heer ghepresen / Sijt ghi hier dach [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key e \phrygian \clef bass % \relative g' { \set melismaBusyProperties = #'() \time 4/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) e,1 g2 g a^"1)" b c2^"2)" c1( b4 a b1) \fermata r1^"3)" \mBreak b2 d1 c2 b1 g2 c1( b4 a g1) r2 \mBreak g2 c c b g a1 e r1 \mBreak b'2 c^"4)" a1 g2 a1 g2 f1 e r2 \mBreak e2 e e a1 a2 g e1^"5)" c r2 \mBreak c2 g' a b g c1 b2.(^"6)" a4 g1 a4 b c a^"7)" a2 g4 f e1) r1 \mBreak b'2 c a a g a1 g2 f1 e \bar "|." \bBreak } \addlyrics { Ons toe -- vlucht Heer ghe -- pre -- sen _ _ _ Sijt ghi hier dach en nacht: _ _ _ Eer dat die ber -- ghen re -- sen: Eer daert -- rijck was van u vol -- bracht Een God ghe -- acht, van gro -- ter cracht. Een God, ee -- wich int we -- sen _ _ _ _ _ _ _ _ _ _ Seer won -- der -- lijck is o Heer u macht. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { \context { \Staff \remove "Time_signature_engraver" } \context { \Score \remove "Bar_number_engraver" defaultBarType = #"" \override PaperColumn #'keep-inside-line = ##t \override NonMusicalPaperColumn #'keep-inside-line = ##t } } } \markup { \wordwrap-string #" 1) Clemens heeft hier een melisma op 'Heer'. Het volgende melisma valt op 'pre' in plaats van 'sen', en is een noot korter. 2) Versie 1540b heeft hier een d. 3) Bij Clemens ontbreekt deze rust. 4) Versie 1540b heeft in de tekst: 'aertrijc'. 5) Clemens heeft in de tekst: 'grooter'. 6) Bij Clemens valt het melisma op 'we'. 7) Clemens heeft hier een b. " }