\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { \bar "" \break }
bBreak = { \break }

\header {
   tagline = ""
   title   = "Coemt doch met my, / En laet ons singhen bly"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key d \dorian \clef treble
    
        %
                    \relative g' {
         
                \set melismaBusyProperties = #'()
                
                \time 4/2
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                d'1 d2 d2 f2.(^"1)" e4 d c d e d2)
 \mBreak f e d c b c1 r2
 \mBreak a4 a c2.^"2)" bes4^"3)" a2 g f1 r2
 \mBreak f2 c'2. c4 c2 c4 c a2.( g4 a f g a bes g a2. g4 f2 e1) d r2
 \mBreak d2 f f g4(^"4)" a b) g a1 r2
 \mBreak a2 d2. d4 d2 d c4( d e d c2)
 \mBreak a bes^"3)" bes4 a g2 g f1 r2
 \mBreak f2 c' c c c a1( g4 a bes^"3)" g a bes c bes a g bes a g f f e8 d e1) d \bar "|." \bBreak 
                    }
                                            \addlyrics {	
                Coemt doch met my, _ _ _ _ _ _
En laet ons sin -- ghen bly
On -- sen Heer die ons maect vry
Laet ons zijn aen -- sicht ghe -- na -- _ _ _ _ _ _ _ _ _ _ _ ken
Ons troo -- ster dat _ _ is hy
Daer -- om so wil -- len wij _ _ _ _
Ons lie -- de -- kens bren -- ghen by
Ons met zijn lof ver -- ma -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ken.
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 120 4)
		}
	}
	\layout { 
						
	\context { \Staff \remove "Time_signature_engraver" }
	\context { \Score \remove "Bar_number_engraver" defaultBarType = #"" \override PaperColumn #'keep-inside-line = ##t \override NonMusicalPaperColumn #'keep-inside-line = ##t }			}
}
	
	\markup {
		\wordwrap-string #"
		In de bron staat het lied een octaaf lager in de tenorsleutel genoteerd. 

1) In versie 1540b staat na deze noot nog een kwartnoot f.

2) Versie 1540b en Clemens hebben hier een bes.

3) In de transcriptie staat de mol voor de vorige noot.

4) Bij Clemens duurt het melisma op 'dat' maar twee kwartnoten. Op de volgende twee kwartnoten staat een melisma op 'is'.
		"
	}