\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Bermherticheyt en ordeel sal ick seere / Van u sin [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key g \dorian \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 4/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) r2 g2 g g d' d g g f( e4 d c2) d e4( f g e f1) d r2 \mBreak d2 d1 g2^"1)" g1 g2^"2)" f1 f4^"3)" d2.( c4 d c bes1) bes2.( c4 d2) f1 d2 g1^"4)" f2 d2.( e4 f e d2 c4 bes a1)^"5)" g1 r2 \mBreak g2 a bes c d bes^"6)" a g1 r2 d'2 d1 g f d2 f e1 d \mBreak d2 d c c^"7)" g1 f bes2.( a4 g2. a4 bes c d2. e4 f e d1 c4 bes a g a1) g \bar "|." \bBreak } \addlyrics { Berm -- her -- ti -- cheyt en or -- deel sal _ _ _ ick see -- _ _ _ _ re Van u sin -- ghen "(this" mijn op -- set) _ _ _ _ Tot _ _ ghi coemt tot mi Hee -- _ _ _ _ _ _ _ re Ick sal hier le -- ven na u wet In ee -- nen wech reyn on -- be -- smet Tot on -- no -- sel -- heyt ick kee -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ re. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { \context { \Staff \remove "Time_signature_engraver" } \context { \Score \remove "Bar_number_engraver" defaultBarType = #"" \override PaperColumn #'keep-inside-line = ##t \override NonMusicalPaperColumn #'keep-inside-line = ##t } } } \markup { \wordwrap-string #" In bron staat dit lied een octaaf lager in de altsleutel genoteerd. 1) Versie 1540b heeft in de tekst: 'singen'. 2) In versie 1540b ontbreekt deze noot. 3) In versie 1540b en Clemens staat hier een halve noot 4) Bij Clemens begint hier het melisma op 'Hee'. Het melisma op 'tot' ontbreekt. 5) Clemens heeft twee kwartnoten a-g en een halve noot a, in plaats van de hele noot a. 6) Clemens heeft in de tekst: 'nae'. 7) Versie 1540b en Clemens hebben hier een b. " }