\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { } bBreak = { } \header { tagline = "" title = "2. marche" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key d \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 4 \time 2/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) fis8 g a4 a a b8 cis^"~" \prall \grace {b16( cis)} d4 d, d d'\prall \grace {fis8} e8( d) cis( b) a4 d8 e \grace {g8} fis8 e fis g a4 g8\prall fis \grace {fis8} e d \grace {d} cis b a8 g fis g a4 a a b8 cis \prall \grace {b16( cis)} d4 d, d d' \prall \grace {fis8} e d \grace {d8} cis b a4 e'\prall fis8 e d cis b4.\prall a8 a2.\fermata \bar ":..:" cis8 d e8 d e fis e fis e d cis4.\prall b8 a8 g fis g a8 g a b a b a g fis4.\prall e8 d4 a'\prall b4\prall^"1)" a b\prall^"1)" a b\prall^"1)" a8 b g4 b cis4\prall b cis\prall b cis4. \prall b8 a4 e'8 fis e4 d8\prall cis d4 e fis8\prall e fis g a4 a, b8 cis d e cis4.\prall d8 d2.\fermata \bar":|." } \addlyrics { } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" Bij de melodie is een baspartij genoteerd in de bron. 1) Boven de versiering is een herstellingsteken genoteerd, de prall wordt met een c uitgevoerd. " }