\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { } bBreak = { } \header { tagline = "" title = "21. marche" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key c \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 8*3 \time 2/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) g8 a b c4 c8. c16 c8. c16 e8. d16 c2. g4 a4 a8. a16 a4 c g8. f16 e8. d16 c4 e'4 d4 e f e d8. c16 b8. a16 g4 e'8. g,16 d'8. g,16 e'8. g,16 f'8. g,16 e'8. g,16 d'8. c16 b8. a16 g4 e' d8 fis g b, a4.\prall g8 g4 g8. g16 g8. d16 e8. f16 g2.\fermata \bar ":..:" b8 c d4 c8 b a b c d b4. a8 g d' e f g4 f8\prall e d8 e f g e4\prall d c e\prall f8 e d f e d c e f8 e d f e d c e f8^"+" e d c b4.\prall a8 a4 a8. a16 a8. e16 fis8. gis16 a2. a4 d8 c d e d e d c b2. d4 g8 f g a g a g f e4. d8 c4 g a8 b c2 b8\prall a b8 c d2 c8\prall b c8 d e2 d8\prall c d8 e f2 e8 d e8 f g c, g4 b\prall c4 c8. c16 c8. g16 a8. b16 c2. \bar ":|." } \addlyrics { } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" Bij de melodie is een baspartij genoteerd in de bron. De maten 1-2 bevatten dubbelgrepen. " }