\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { } bBreak = { } \header { tagline = "" title = "49. Andante" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key d \dorian \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 8 \time 2/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) a8 d8\mordent\ficta d8~ \times 2/3 {d16[ d e]} \grace {g8} \times 2/3 {f16[ e d]} e8\mordent e8~ \times 2/3 {e16 e f} \grace {a8} \times 2/3 {g16[ f e]} \grace {g8} \times 2/3 {f16 e d} \grace {a'8} \times 2/3 {g16[ f e]} \grace {bes'8} \times 2/3 {a16 g f} bes16.[ d,32] cis8\prall a r8a'8 \times 2/3 {fis16[ g a]} c,8~ \times 2/3 {c16[ es d]} \times 2/3 {c16 bes a} \times 2/3 {bes16[ g a]} \grace {c8} \times 2/3 {bes16 a g} g'8 f\prall \times 2/3 {e16[ f g]} bes,8~ \times 2/3 {bes16 d c} \times 2/3 {bes16[ a g]} \times 2/3 {a16[ f g]} \app {bes8} \times 2/3 {a16 g f} f'8 c\prall \grace {bes16(c)} d8 d~ \times 2/3 {d16[ e f]} \times 2/3 {g16 a bes} c,8 c~\prall \times 2/3 {c16[ d e]} \times 2/3 {f16 g a} bes,8 bes~ \times 2/3 {bes16[ c d]} \times 2/3 {c16 d bes} \times 2/3 {a16[ c bes]} \times 2/3 {a16 g f} \times 2/3 {g16[ bes a]} \times 2/3 {g16 f e} \grace {e8} f4 r8a8 d8 a~ \times 2/3 {a16[ a b]} \grace {d8} \times 2/3 {c16[ b a]} b16 a g a b c d b e8 b~ \times 2/3 {b16[ b cis]} \grace {e8} \times 2/3 {d16 cis b} cis16 b a b cis d e f g8 g~ \times 2/3 {g16[ bes a]} \times 2/3 {g16 f e} f8 f~ \times 2/3 {f16[ a g]} \times 2/3 {f16[ es d]} es8 es~ \times 2/3 {es16[ g f]} \times 2/3 {es16 d cis} d8 c16 bes a8 g \times 2/3 {f16[ a g]} \times 2/3 {f16 e d} e4\prall d4 r8a'8 bes8[\prall bes bes bes] g'16 f e d c bes a g a8[ a a a] f'16 e d c bes a g fg8[ g g g] e'16 d cis b a g f e \times 2/3 {f16[ d e]} \times 2/3 {f16 e d} a'8 d \times 2/3 {cis16[ a b]} \times 2/3 {cis16 b a} e'8 g \times 2/3 {f16[ a g]} \times 2/3 {f16 e d} \times 2/3 {e16[ g f]} \times 2/3 {e16 d cis} d8 bes4 a16 g \times 2/3 {f16[ a g]} \times 2/3 {f16 e d} e4\prall d2 \bar "|." } \addlyrics { } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" Bij de melodie is een baspartij genoteerd in de bron. " }