\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { }
bBreak = { }

\header {
   tagline = ""
   title   = "Sonata 57. Andante"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key g \major \clef treble
    
        %
                    \relative g' {
         
                \set melismaBusyProperties = #'()
                \partial 8
                \time 2/4
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                d'8 b16 g b d g8 g g8 fis r8 d8 c8 a'~ \times 2/3 {a16[ g fis]} \times 2/3 {e16 d c} \times 2/3 {b16[ a g]} \times 2/3 {c16 b a} \times 2/3 {b16[ a g]} \times 2/3 {c16 b a} \times 2/3 {b16[ g b]} \times 2/3 {d16 b d} g8 b, g'8^"1)" fis r8 
d8 cis8 a' r8 cis,8 d8 a' r8 d, e8 a r8 e \times 2/3 {fis16[ d fis]} \times 2/3 {a16 fis a} b8 dis, \times 2/3 {e16[ cis e]} \times 2/3 {gis e gis} a8 cis, \times 2/3 {d16[ b d]} \times 2/3 {fis16 d fis} 
g8^"2)" b, \times 2/3 {cis16[ a b]} \times 2/3 {cis16 d e} \times 2/3 {f16[ a g]} \times 2/3 {f16 e d} \times 2/3 {cis16[ a b]} \times 2/3 {cis16 d e} \times 2/3 {f16[ a g]} \times 2/3 {f16 e d} \times 2/3 {cis16[ a b]} \times 2/3 {cis16 d e} \times 2/3 {f16[ a g]} \times 2/3 {f16 e d} gis8 a r8 
g8 \times 2/3 {fis16[ e d]} \times 2/3 {g16 fis e} b8 cis \times 2/3 {d16[ e fis]} \times 2/3 {g16 fis e} e4\trill d4 r8 d8 b16 g b d g8 g g8 fis r8 d8 c8 a'~ \times 2/3 {a16[ g fis]} \times 2/3 {e16 d c} \times 2/3 {b16[ a g]} \times 2/3 {c b a} \times 2/3 {b[ a g]} \times 2/3 {c b a} \times 2/3 {b16[ g b]} \times 2/3 {d b d} g8 b,
g'8^"3)" fis r4 d4 d d4.^"4)" \times 2/3 {e,16 gis a} b16 c \times 2/3 {d[ c b]} b'8 d, c16 b a8 r4 c4 c c4.^"5)" \times 2/3 {d,16 fis g} a16 b c32 b a16 a'8 c, b16 a g8 r8 
d'8 \times 2/3 {e16 d c} \times 2/3 {e[ fis g]} \times 2/3 {a g fis} \times 2/3 {e[ d c]} \times 2/3 {d16[ c b]} \times 2/3 {d e fis} \times 2/3 {g[ fis e]} \times 2/3 {d c b} \times 2/3 {c16[ b a]} \times 2/3 {c d e} \times 2/3 {fis[ e d]} \times 2/3 {c b a} \times 2/3 {b16[ a g]} b'8[^"6)" a g] g8 fis r8
d8 \times 2/3 {cis16[ d e]} \times 2/3 {e fis g} g8 cis, d8 d, r8
d'8 \times 2/3 {cis16[ d e]} \times 2/3 {e fis g} g8 cis, d8 a' c,8 b16 a b16 g b d g8 c, \times 2/3 {b16[ a g]} \times 2/3 {c b a} e8 fis \times 2/3 {g16[ a b]} \times 2/3 {c b a} a4 g4\fermata \fine r4
e'8 e \times 2/3 {e16[ b' a]} \times 2/3 {g fis e} fis8 b, \times 2/3 {r16 b cis} \times 2/3 {dis[ e fis]} \times 2/3 {fis16[ g a]} \times 2/3 {a b c} \times 2/3 {c[ b a]} \times 2/3 {a g fis} \times 2/3 {g16 fis e} e,4  
b''8 gis8 gis \times 2/3 {gis16[ e fis]} \times 2/3 {gis a b} c8 c \times 2/3 {c16[ a b]} \times 2/3 {c b a} \grace {g8} fis8 fis \times 2/3 {fis16[ d e]} \times 2/3 {fis g a} b16 a g fis g8
d8 \times 2/3 {e16[ c e]} \times 2/3 {d b d} \times 2/3 {c[ a c]} \times 2/3 {b g b} a8 d, r8
d'8 \times 2/3 {e16[ c d]} \times 2/3 {e d c} \times 2/3 {c' b a} \times 2/3 {g[ fis e]} \times 2/3 {d16[ b c]} \times 2/3 {d c b} \times 2/3 {b'[ a g]} \times 2/3 {fis e d} \times 2/3 {c16[ a b]} \times 2/3 {c b a} \times 2/3 {a'[ g fis]} \times 2/3 {e d c} \times 2/3 {b[ a g]} 
c8 \times 2/3 {b16 a g} \times 2/3 {e'[ d c]} \times 2/3 {b16[ a g]} c8 \times 2/3 {b16 a g} \times 2/3 {e'[ d c]} \times 2/3 {b16[ c d]} \times 2/3 {e fis g} \times 2/3 {c,[ d e]} \times 2/3 {fis g a} \times 2/3 {d,[ e fis]} \times 2/3 {g a b} \times 2/3 {e,[ fis g]} \times 2/3 {a b c} d,4.\trill
c'8 \times 2/3 {b16[ a b]} \times 2/3 {c b a} g8 a\trill g4 r8
b8 \times 6/6 {gis16[ b a g f e]} \times 6/6 {d16[ f e d c b]} \times 2/3 {c16[ b a]} a4 
a'8 \times 6/6 {fis16[ a g fis e d]} \times 6/6 {c16[ e d c b a]} \times 2/3 {b16[ a g]} g4 r8 \dc \bar "|."
                    }
                                            \addlyrics {	
                
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 120 4)
		}
	}
	\layout { 
			}
}
	
	\markup {
		\wordwrap-string #"
		Bij de melodie is een baspartij genoteerd in de bron.

1) Maat 6 bevat dubbelgrepen.

2) De twee achtste noten van maat 12 zijn weggevallen in de binding van het manuscript.

3) Maat 25 bevat dubbelgrepen.

4) Maat 27 bevat dubbelgrepen.

5) Maat 31 bevat dubbelgrepen.

6) De maten 37-38 bevatten dubbelgrepen.
		"
	}