\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { } bBreak = { } \header { tagline = "" title = "64. Andante" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key c \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 4/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) c8 e16 f g8 a16 b c8 c, r8 c'16 b a16 b c g f4\prall e r16 g,16 \times 2/3 {c16[ d e]} d16 g, \times 2/3 {d' e f} e16 a, \times 2/3 {e' fis g} fis8 d r16 d16 \times 2/3 {fis g a} g16 e \times 2/3 {g a b} a16 d, \times 2/3 {a' b c} b8 g r16 g16[ fis g] b16 g fis g c g fis g d'8.[ c16] b16 a g fis g8. fis16 e16 d c b e8. d16 c16 b a g fis8 d' c8.\prall b32 a b16 fis' g b, a8.\prall g16 g4 r4 c8 e16 f g8 a16 b c8 c, r8 c'16 b a16 b c g f4\prall e4 r8 g8 \times 2/3 {a16[ g f]} \times 2/3 {f e d} \times 2/3 {d[ c b]} \times 2/3 {b a g} \times 2/3 {g'16[ f e]} \times 2/3 {e d c} \times 2/3 {c[ b a]} \times 2/3 {a g f} d'4^"1)" r16 g,16 d' f \times 2/3 {e16 d c} a'16. c,32 b4\prall c r4 g'8 c, c4\prall a'8 c, c4\prall g'8 c, c4\prall a'8 c, c4 b'8 c, c4\prall \times 2/3 {c'16[ b a]} \times 2/3 {a g f} \times 2/3 {f[ e d]} \times 2/3 {d c b} \times 2/3 {b16[ a g]} f8 r16 f16 \times 2/3 {d'16 e f} e16 b' c e, d4\prall c8 d g, b c2^"2)"\fermata \fine a8 c16 d e8 fis16 gis a8 a, r16 a'16 b c fis,16 b c d e,8 gis\prall a8 a, r16 c'16 b a b16 e, fis gis a16 c b a g8 e r16 c'16 b a b16 e, fis gis a16 c b a g8 e r8 b'8 \times 2/3 {c16[ b a]} \times 2/3 {a g fis} \times 2/3 {fis[ e dis]} \times 2/3 {dis cis b} a'4^"2)" r16 a16 g fis \times 2/3 {g16 fis e} b'16. e,32 dis4\prall e r8 g8 \times 2/3 {g16[ a bes]} \times 2/3 {bes a g} \times 2/3 {g[ f e]} \times 2/3 {e d cis} \times 2/3 {cis[ b a]} bes8^"2)" r16 bes16 a g \times 2/3 {f16 e d} a'16. f32^"2)" cis4\prall d4 r8 d'8 \times 2/3 {d16[ e f]} \times 2/3 {f e d} \times 2/3 {d[ c b]} \times 2/3 {b a g} f4 r16 f d' f, e16 g a b c8 c c b r4 ^"D.C.FinalSigno" \bar "|." } \addlyrics { } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" Bij de melodie is een baspartij genoteerd in de bron. 1) D-mineur akkoord in sextligging. 2) Dubbelgreep. " }