\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { } bBreak = { } \header { tagline = "" title = "85. La bergeri" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key c \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 8*3 \time 6/8 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) e'4\prall d8 c16 b c d c d e8.\prall d16 e f e4\prall d8 e16 f g8 d e16 f g f e d c8 f e \pv d4.\prall s4.\bar ":|." \sv d4.\prall \xv \bar "||" g4\segno c,8 d8.\prall c16 d e d16 c d e d e f16 e f g e f g8 a16 g f e d8\prall c d e8\prall f16 e d e c16 b c d e f g4\prall c,8 d8.\prall c16 d e d16 c d e d e f16 e f g e f g8 a16 g f e d8\prall c d e8\prall f16 e d e c4.\fermata \fine \bar "||" e4\prall g8 e8 c d e f g e8 c d e f g e8 c d e8 f16 e d c g'4.\prall e4\prall g8 e8 c d e f g e8 c d e f g e8 c d e8\prall f16 e d c g'4.\prall g4\prall c,8 d8.\prall c16 d e d c d e d e f16 e f g e f g8 a16 g f e d8\prall c d e8\prall f16 e d e c16 b c d e f g8\prall f16 e d c d8.\prall c16 d e d16 c d e d e f16 e f g e f g8 a16 g f e d8\prall c d e8\prall f16 e d e c4. g4 c8 c4\prall a8 f4\prall a8 g4\prall c,8 g'4 c8 a4\prall g8 a8 b4\prall c4. g4 c8 c4 a8 f4 a8 g4\prall c,8 g'4 c8 a4\prall g8 a b4\prall c4. e4\prall d8 c16 b c d c d e8.\prall d16 e f e4\prall d8 e16 f g8 d e16 f g f e d c8 f e d4.\prall e4\prall d8 c16 b c d c d e8.\prall d16 e f e4\prall d8 d16 f g8 d e16 f g f e d c8 f e d4.\dsf \bar "||" e4 f8 e4 f8 e16 f e d c b c8\prall b16 c a8 e'4 a8 e4 b'8 e,4 c'8 e,4 b'8 e,4 c'8 e,16 d' c b a g fis8 e dis\prall e4. e4 a8 cis,4 a'8 a,4 a'8 \ficta fis4 d8 d4 g8 b,4 g'8 g,4 g'8 e4\prall c8 e16 g f e d c d16 f e d c b c16 e d c b a b4\prall g8\dcf \bar "|." } \addlyrics { } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" De melodie bevat een in de vioolsleutel genoteerde baspartij in de bron. In maat 45 staat in de bron: Da capo en een segnoteken. " }