\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Le jour que mon Iris / Me rangea sous ses loix" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key b \locrian \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 8*1 \time 3/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) a8\bar ".|:" f'4. e8 d e cis2 a8 bes g2\trill f8 e\grace {e32} f4.\sb \mBreak f8 f d a'4 d2~d4 b8 b cis d cis4\grace {b32} a8\sb \mBreak e'd\trill b c c d e a, b gis4\grace {f8} e4.\sb \mBreak e8^"1)" c'4. c8 d e e4( d)\trill\grace {c8} b4 c8. d16 b4. a8^"1)" a2 r8 a8^"2)"\bar ":..:" \bBreak a4.( c8) c4 f2 f8^"3)" c d2^"4)" f4 bes,4. bes8 c d g,4\trill\sb \mBreak c4. a8 d4 d8 d e f e4\grace {d8} c8\sb \mBreak e f g c,4 f8 e\trill d e f2\sb \mBreak f8. a16 d,4 d8 c d a bes4^"5)"\grace {a16} g8\sb \mBreak d' e f g4 f e8 d cis4.\sb \mBreak d8 e f g4 f4.( f16 e) e2\trill d8 d b2\bar "|." \bBreak } \addlyrics { Le jour que mon I -- ris me ran -- gea sous ses Loix, le ver -- "re en" main. Dieu _ "qu'el"-- "le e"-- tait bril -- lan -- te! Bac -- chus sou -- tient que sa li -- queur char -- man -- te A -- mour "t'a" -- voit ser -- vi _ bien plus que ton car -- quois. Le "D'un" _ vain -- queur en -- tre vous je "n'o" -- se fai -- re choix. Mais "d'u" -- "ne am"-- e re -- con -- nois -- san -- te De -- puis ce tems, j'ai -- me et je bois, Mais "d'u" -- "ne Am"-- e re -- con -- nois -- san -- _ te De -- puis ce tems j'ai -- "me et" je bois, De -- puis ce tems j'ai -- _ _ me et je bois, } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 96 4) } } \layout { } } \markup { \wordwrap-string #" 1) Kwartnoot in de bron. 2) Hierna volgt een uitgeschreven herhaling van m.1, met een noot teveel, in de bron. 3) Gepuncteerde achtste in de bron. 4) Gepuncteerde halve noot in de bron. 5) Gevolgd door een32ste voorslag in de bron. " }