\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { \bar "" \break }
bBreak = { \break }

\header {
   tagline = ""
   title   = "Tirsis zat in 't Bosch gedoken, / Treurende, om zy [...]"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key e \major \clef treble
    
        %
                    \relative g' {
         
                \set melismaBusyProperties = #'()
                
                \time 2/2
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                b2 e dis cis4( b) a4( b8 cis b4) a gis2 fis4( e) 
 \mBreak gis2 cis ais b cis dis dis( cis) 
 \mBreak cis dis e dis4( cis) dis2 cis4( b) ais2 gis4( fis)
 \mBreak fis'2. e4 dis2 cis4( b) dis( cis) b( ais) b1 \bar ":..:"
 \bBreak b2 d d( cis4) d cis( b) a( gis) a2 gis4( fis)
 \mBreak fis2 gis4( a) gis2 fis4( e) b'2 gis gis( fis)
 \mBreak b2. a4 gis2 fis4( e) e'2 cis ais b
 \mBreak a2 gis4( fis) gis2 fis4( e) gis( fis) e( dis) e1 \bar ":|." \bBreak 
                    }
                                            \addlyrics {	
                Tir -- sis zat "in 't" _ Bosch _ _ _ ge -- do -- ken, _ 
Treu -- rende, om zyn Her -- de -- rin. _
Want hy had zyn _ lief ge -- _ spro -- ken, _
En die spot -- te _ met _ zyn _ minn'.
Is dat, riep _ hy, voor _ myn _ Lief -- de? _
Is dat _ voor myn _ smert het loon? _
"'k Vloek" het Uur toen _ gy my grief -- de,
"Dit 's" een _ pa -- rel _ aen _ uw _ kroon!
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 120 4)
		}
	}
	\layout { 
			}
}