\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Nu laat gy Heer / Uw knegt in vrede gaan" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key a \minor \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 2/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) r2 c4 c c1 b2 r4 e4 d c b4.^"1)" a8 a2 \mBreak r4 c4 c d e4. e8 e4 c d4. c8 c2 \mBreak r4 c4 c c b4. b8 b4 c4 a4.^"1)" b8 gis1 \mBreak \time 3/4 r4 b4 b c c c d d d e e2 \mBreak e4 e e a,4. b8 c4 c d4. c8 c2. \mBreak \time 2/2 e2 d4. e8 c4 c r4 c b4. c8 a4 a d c b4. a8 a2 \mBreak } \addlyrics { Nu laat gy Heer Uw knegt in vre -- de gaan, Den weg van al het ster -- fe -- lij -- cke vleesch Den weg van al het ster -- fe -- lij -- cke vleesch, Die al mijn heyl -- ge Va -- de -- ren tra -- den: Ik ben dees' aar -- den en dees moey -- te sat, Ick ben dees aar -- de Ick ben dees aar -- de en dees moey -- te sat. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" 1) Gepuncteerde halve noot en kwartnoot in bron. Aanpassing o.g.v. editie 1681 " }