\version "2.18.2"
sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}
% At top of doc
% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { \bar "" \break }
bBreak = { \break }
\header {
tagline = ""
title = "Seroit il vrai Jeune Bergere / que mes soins n'ont [...]"
}
\paper{
%top-margin = 0\mm
%bottom-margin = 0\mm
%left-margin = 0\mm
%before-title-space = 0\mm
after-title-space = 0\mm
head-separation = 0\mm
%foot-separation = 0\mm
%page-top-space = 0\mm
ragged-last = ##f
}
\score {
{
\key f \major \clef treble
%
\relative g' {
\set melismaBusyProperties = #'()
\partial 4
\time 2/4
% #right == #1
% #begin-of-line-invisible == #(vector #t #t #f)
\override Score.RehearsalMark #'break-visibility = #(vector #t #t #f)
8( 16) \grace {d8} 8.( 16 ) ( ) \grace {c8} 8 \grace {a8 bes} 8
\mBreak bes16( g) f( e) f16( a) a( c) \times 2/3 {c16( d c)} bes a( \grace {bes8} 8 \grace {g8 a} 8) \bar ":..:"
\bBreak c'8. c16 c8( b) \times 2/3 {bes16( a g)} \times 2/3 {d'( c bes)} \grace {c8} 8 \grace {a bes8} 8
\mBreak as8 g16 f e16( c') f,( bes) 8 \grace {a8} \afterGrace 8 \trill {f16 [g]} \grace {8} f4. \bar ":|." \bBreak
}
\addlyrics {
Se -- roit il vrai Jeu -- ne _ Ber -- _ ge -- re
que _ mes _ soins _ n'ont _ pu _ _ vous char -- mer _
que d'ef -- forts _ il _ faut pour _ vous plai -- re
il m'en faut pas _ pour _ vous ai -- mer.
}
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
\layout {
}
}