\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { }
bBreak = { }

\header {
   tagline = ""
   title   = "Exaltons chantons"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key g \major \clef treble
    
        %
                    \relative g' {
         
                \set melismaBusyProperties = #'()
                \partial 4*2
                \time 2/2
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                b4\grace {d8}\afterGrace c4 {b16 c} d2 b4\grace {d8}\afterGrace c4 {b16 c} d2 g8( fis) e( d) d4 e8( d) d( c) c( b)\afterGrace b4 {a16 b} a4  b4\grace {d8}\afterGrace c4 {b16 c} d2 b4\grace {d8}\afterGrace c4 {b16 c} d2 g8( fis) e( d)\grace {fis8} e4 d8 c b4\afterGrace a4\trill {g16 a} g2 
d'4 d d g8( e) e( d) d( cis) d2 a4 a b d8( c) b( a) a( g)\grace {g8} fis4\grace {e8} d4  d'4 d d g8( e) e( d) d( cis) d2 a4 a b a8( g) fis4\afterGrace e4\trill {d16 e} d2\fermata  
b'4\grace {d8}\afterGrace c4 {b16 c} d2 b4\grace {d8}\afterGrace c4 {b16 c} d2 g8( fis) e( d) d4 e8( d) d( c) c( b)\afterGrace b4\trill {a16 b} a4  b4\grace {d8}\afterGrace c4 {b16 c} d2 b4\grace {d8}\afterGrace c4 {b16 c} d2 g8( fis) e( d) e4 d8 c b4\afterGrace a4\trill {g16 a} g2 
d4 d e e c'8( a) g( fis) g a b c d4 d, e b'8( a) a( g) g( fis) g2  a4\afterGrace b4 {a16 b} c2 b4 c d e8( d) d( c) c( b)\afterGrace b4 {a16 b} a4\fermata 
b4\grace {d8}\afterGrace c4 {b16 c} d2 b4\grace {d8}\afterGrace c4 {b16 c} d2 g8( fis) e( d) d4 e8( d) d( c) c( b)\afterGrace b4 {a16 b} a4  b4\grace {d8}\afterGrace c4 {b16 c} d2 b4\grace {d8}\afterGrace c4 {b16 c} d2 g8( fis) e( d)\grace {fis8} e4 d8 c b4\afterGrace a4\trill {g16 a} g2\bar "|."
                    }
                                            \addlyrics {	
                
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 132 4)
		}
	}
	\layout { 
			}
}