\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "'k Hoor met verwonderinge 't Gevogelt zingen, / Da [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key c \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 3/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) c4 c8 d e f d2 g,4 f'e g d2 d4 \mBreak f e g, f'e g, g'e d8( c) c2.\bar ":..:" \bBreak d4 g,8 g g a d4 g,8 g g e' e4^"1)" f8( e d8.) e16 c2\trill^"2)" b4 \mBreak a e a a e a8( b) c4. b8 a gis a2. \mBreak c4 d e a,2\trill b4 c g f'8( e) d2\trill g,4 \mBreak f'e g, f'e g, g'e d8( c) c2.\bar ":|." \bBreak } \addlyrics { "'k Hoor" met ver -- won -- de -- rin -- ge "'t Ge" -- vo -- gelt zin -- gen, Daar on -- der ô! won -- der Vi -- ool en _ Luit ô! aan -- ge -- naa -- me vreugd, "'t geen" ons Hert ver -- heugd, Ziel _ _ en zin -- nen "'t Speel" -- ter, "En 't" kweel -- ter, Dat _ "d'Ech" -- o we -- der stuit, Het Nach -- te -- gaal -- tje zing -- ter "van 't" _ Min -- nen, van Kloo -- ris, En Do -- ris, De schoo -- ne _ Bruit. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } } \markup { \wordwrap-string #" 1) Gepuncteerde kwartnoot in bron. 2) In m.12 b-a in bron. " }