\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "ah! si tu ne viens point, Répondre à mon ardeur [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key c \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 3/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) e'4 d8 c b\mordent a g2 r8 c d c f4. e8 \grace {e8(} d2)\mordent \mBreak g4 \grace {f8(} e4.)\prall d8 \grace {d8(} c4) r8 f \grace {e(} d)\prall \grace {c(} b) g c e4( d2)\mordent c2 r8 \mBreak g8 g4 g a8 b \grace {b(} c4) c c8 d \grace {d(} e4.) c8 f4 \grace {e8(} d2)\prall \mBreak d8 d d4 d8 e fis g d4. \times 2/3 {c16 b a} g8 c \grace {c8} b4( a2)\mordent g2. \mBreak e'4 d8 c b\mordent a g8 c d c f e \grace {e8(} d2)\mordent \mBreak g4 \grace {f8(} e4.)\prall d8 c4 f4 \grace {e8(} d)\prall \grace {c(} b) \grace {a(} g) c e4( d2)\mordent c2. \bar "|." \bBreak } \addlyrics { ah si tu ne viens point ré -- pon -- "dre à" mon ar -- deur à mes re -- gards pour -- quoi tof -- frir en -- co -- _ re ta vue est trop fu -- nes -- te au re -- pos de mon coeur el -- le va re -- dou -- bler le feu qui _ _ le de -- vo -- _ re ah si tu ne viens point ré -- pon -- "dre à" mon ar -- deur à mes re -- gards pour -- quoi tof -- frir en -- co -- _ re } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } }