\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "quand on ayme bien tendrement; Air de l'opera d'atijs" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key a \minor \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 4*2 \time 2/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) f4 d a'2 a4 a a2( g4 f8) g a2 \mBreak cis4. cis8 d2 d4 a bes2 bes4. bes8 bes2 a4. bes8 a2( g) f \bar ":..:" \bBreak a4 a8 b c4. c8 d4( c8) d e2. \mBreak e4 d4. d8 d4. c8 b2 b4. c8 a2~ a4 gis8 a gis1 \mBreak c4 c d e gis,2 a4( gis8) a a2.( gis4) a2. \mBreak a4 e4. e8 e4( d8) e f2 a4. a8 d2 d4 e cis1 \mBreak d4. c8 c4 c bes2 g4. f8 f2( e) d1 \bar "|." \bBreak } \addlyrics { quand on ay -- me bien ten -- _ _ dre -- ment on ne ces -- se ja -- mais de souf -- frir et de crain -- _ dre dans le bon -- heur le plus _ char -- mant on est in -- ge -- ni -- eux à se faire _ un tour -- ment et l'on prend plai -- sir à _ se plain -- _ dre on est in -- ge -- _ ni -- eux à se faire un tour -- ment et l'on prend plai -- sir à se plain -- _ dre } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } }