\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { } bBreak = { } \header { tagline = "" title = "Andante Gratioso" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key d \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 3/8 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) a4 b16 (g) fis4 g16 (e) d (fis) e (g) fis (a)\grace {a8} g4 fis8 4 fis'16. d'32\grace {d16} cis8. d32 (e) d8\staccatissimo b8\times 2/3 {b16 a g}\times 2/3 {fis16 e d} d8 cis r8 8 r8 r8 e'4 fis16 (d) cis8\staccatissimo\p e\staccatissimo r16 a,16\grace {a16} gis8.\f a32 (b) a8 cis\staccatissimo\p e\staccatissimo r16 a16 gis8.\f a32 (b) a8\grace {g16} fis16^"1)" e32 (d) cis8 b a4 r8\bar ":..:" 8 r8 r8 a'4 b16 (g) fis4 g16. e'32 dis8. e32 (fis) e8\staccatissimo c16 b32 (a) g8 fis e16 (b') b (a) a (g) fis (a) a (g) g (fis) fis8 e r8 8 r8 r8 a'4 b16 (g) fis8\staccatissimo a\staccatissimo r16 d16 cis8.\f d32 e d8\staccatissimo fis,\staccatissimo a\staccatissimo r16 d16 cis8. d32 (e) d8\staccatissimo b16 a32 (g) fis8 e\times 2/3 {fis16 fis'e}\times 2/3 {d16 cis b}\times 2/3 {a16 g fis} b16 a32 g fis8 e\trill d4.\bar ":|." } \addlyrics { } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 66 4) } } \layout { } } \markup { \wordwrap-string #" Tweede deel van Divertimento 20. In m. 15 is de eerste tel twee keer zo snel genoteerd om de maat (met behoud van ritme) kloppend te maken. Zie ook: m. 31. " }