\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { } bBreak = { } \header { tagline = "" title = "Largetto Pastorelle" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key a \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 3/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 4. fis'8 e fis 4. fis'8 e fis 8 a' cis e\grace {e16} d8 cis16 (b) a4 e r8 e'8 4. a'16 gis\grace {b16} a8 gis16 fis e4\staccatissimo gis,(a) b16 cis b cis d4 cis cis b r8 gis'8 8. gis'32 (a) gis8 b,\staccatissimo b\staccatissimo b\staccatissimo b cis16 (b) a8 b16 (a) gis8 gis' 8. gis'32 (a) gis8 b,\staccatissimo b\staccatissimo b\staccatissimo b cis16 (b) a8 b16 (a) gis16 ( b e gis) b4. a16 (gis fis e dis e)\grace {d8} cis4. b16 (a gis fis eis fis) gis8 b4 gis16 e fis4\trill e4 r8 b''8\grace {a16} gis8 fis16 e e (dis8.) r8 a'8\grace {gis16} fis8 e16 dis dis e8. r8 b'8\grace {a16} gis8 fis16 e e dis8. r8 a'8\grace {gis16} fis8 e16 dis e4 e, r4 gis4. a8 (gis a) gis4. a8 (gis a) gis (cis) cis (b) b (a) a4\trill gis r4 g'8 (e) r8 e16 fis\grace {a16} g8 fis16 e d8 fis r8 fis\grace {e16} d8\grace {cis16} b8\grace {b16} cis4. e16 g fis (e d cis) b8 fis'4 e16 d\grace {e16} fis8 e16 d cis8 e r8 e\grace {d16} cis8\grace {b16} a8 b16 (cis b cis d e d e) fis8 a, gis e'(dis d) cis a'16 cis, cis4 b r8 a8 gis8. a32 (b) a8 cis\staccato (cis\staccato cis\staccato) cis d16 (cis) b8 cis16 (b) a8 cis b8. cis32 d cis8 e\staccato (e\staccato e\staccato) e fis16 (e) d8 e16 (d) cis e,(a cis) e4. d16 (cis) b (a gis a) fis'4. e16 (d cis b ais b) cis8 e4 cis16 a b4\trill a4. g8 (fis e) 4. d'8 b gis a4. g8 fis e 4. d'8 b gis 4. fis'8 (e fis) 4. fis'8 e fis 2.\bar "||" } \addlyrics { } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 104 4) } } \layout { } } \markup { \wordwrap-string #" Dubbelklanken genoteerd als orgelpunten in bron. " }