\version "2.18.2"
sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}
% At top of doc
% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { }
bBreak = { }
\header {
tagline = ""
title = "Largetto Pastorelle"
}
\paper{
%top-margin = 0\mm
%bottom-margin = 0\mm
%left-margin = 0\mm
%before-title-space = 0\mm
after-title-space = 0\mm
head-separation = 0\mm
%foot-separation = 0\mm
%page-top-space = 0\mm
ragged-last = ##f
}
\score {
{
\key a \major \clef treble
%
\relative g' {
\set melismaBusyProperties = #'()
\time 3/4
% #right == #1
% #begin-of-line-invisible == #(vector #t #t #f)
\override Score.RehearsalMark #'break-visibility = #(vector #t #t #f)
4. fis'8 e fis 4. fis'8 e fis 8 a' cis e\grace {e16} d8 cis16 (b) a4 e r8 e'8 4. a'16 gis\grace {b16} a8 gis16 fis e4\staccatissimo gis,(a) b16 cis b cis d4 cis cis b r8
gis'8 8. gis'32 (a) gis8 b,\staccatissimo b\staccatissimo b\staccatissimo b cis16 (b) a8 b16 (a) gis8 gis' 8. gis'32 (a) gis8 b,\staccatissimo b\staccatissimo b\staccatissimo b cis16 (b) a8 b16 (a) gis16 ( b e gis) b4. a16 (gis fis e dis e)\grace {d8} cis4. b16 (a gis fis eis fis) gis8 b4 gis16 e fis4\trill e4 r8
b''8\grace {a16} gis8 fis16 e e (dis8.) r8 a'8\grace {gis16} fis8 e16 dis dis e8. r8 b'8\grace {a16} gis8 fis16 e e dis8. r8 a'8\grace {gis16} fis8 e16 dis e4 e, r4
gis4. a8 (gis a) gis4. a8 (gis a) gis (cis) cis (b) b (a) a4\trill gis r4 g'8 (e) r8 e16 fis\grace {a16} g8 fis16 e d8 fis r8 fis\grace {e16} d8\grace {cis16} b8\grace {b16} cis4. e16 g fis (e d cis) b8 fis'4 e16 d\grace {e16} fis8 e16 d cis8 e r8 e\grace {d16} cis8\grace {b16} a8 b16 (cis b cis d e d e) fis8 a, gis e'(dis d) cis a'16 cis, cis4 b r8
a8 gis8. a32 (b) a8 cis\staccato (cis\staccato cis\staccato) cis d16 (cis) b8 cis16 (b) a8 cis b8. cis32 d cis8 e\staccato (e\staccato e\staccato) e fis16 (e) d8 e16 (d) cis e,(a cis) e4. d16 (cis) b (a gis a) fis'4. e16 (d cis b ais b) cis8 e4 cis16 a b4\trill a4.
g8 (fis e) 4. d'8 b gis a4. g8 fis e 4. d'8 b gis 4. fis'8 (e fis) 4. fis'8 e fis 2.\bar "||"
}
\addlyrics {
}
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 104 4)
}
}
\layout {
}
}
\markup {
\wordwrap-string #"
Dubbelklanken genoteerd als orgelpunten in bron.
"
}