\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { } bBreak = { } \header { tagline = "" title = "Andante" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key c \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 6/8 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) g8. f16 e8 f4 e8 e'8. d16 c8 d4 c8 bes4. a8. a'16 g8\grace {g8} f4 e8 d4 g16 d d4\times 2/3 {c16 (b c)} b4 g'16 (d) d4 \times 2/3 {c16 b c} b16 (d) d (g) g (d) e c b g a fis g4 e'16 (d) d4 c16 (b) b4 c16 (b) b4 a16 (g) g4.\bar ":..:" g'8.\f f16 e8 4 8 a'8. g16 f8 4 f'8 r16 f'16 a f e d r16 e16 g e d \ficta cis d8 f16 e d c b4 e16 c 4\times 2/3 {f'16 (e f)} e4 e'16 (c) 4\times 2/3 {f'16 (e f)} e16 g g c c g bes4. a8. a'16 g8 f e d c4 a'16 (g) g4 f16 (e) e4 f16 (e) e4 d16 (c) c4.\bar ":|." } \addlyrics { } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 76 4) } } \layout { } } \markup { \wordwrap-string #" Dubbelgrepen genoteerd als orgelpunt in bron.. " }