\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { } bBreak = { } \header { tagline = "" title = "Andante" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key g \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 8*1 \time 3/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) r8 r4 r4 r8 r16 e'16~e4 dis8. c16 b8. a'16 a4 (g8.) fis16 e (dis) e (dis)\grace {fis8} e8.\trill \ficta dis16\grace {\ficta dis8} e2 r2.\times 2/3 {c16 e c} a16 a \times 2/3 {c16 e c} a16 a \times 2/3 {c16 e c} a16 a a4 r4 r4 \times 2/3 {b16 d b} g16 g\times 2/3 {b16 (d b)} g16 g\times 2/3 {b16 d b} g16 g b4_"pia" (a8.) g16 fis8. a16 a4 (g) r4 r16 b'16_"for" a16.\trill g32 fis16.\trill e32 d16.\trill c32 b8 a\trill\grace {c8} b8.\trill a16\grace {a8} b4. r16 d16^"pia" d4 c8. b16 a8. c16 c4\trill (b) r8 r16 b'16_"for" a16.\trill g32 fis16.\trill e32 d16.\trill c32 b16.\trill a32 g8 fis\trill\grace {a8} g8. fis16\grace {fis8} g4.\bar ":|." } \addlyrics { } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 76 4) } } \layout { } } \markup { \wordwrap-string #" Alleen de eerste maten van het Andante zijn hier weergegeven. 1) De enige 16den triool met een boog staat in m.8. " }