\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Olie, olie van de druiven, / Die de droefheid doet [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key g \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \partial 8*2 \time 3/4 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) d8. d16 g4 b4 a8. g16 g4 fis4 \mBreak d8. fis16 a4 c4 b8. a16 a4 g4 \mBreak d8. d16 g4 b4 a8. g16 g2 \mBreak d8. d16 g4 b4 a8. g16 g4 fis4 \mBreak d8. fis16 a4 c4 b8. a16 a4 g4 \mBreak d8. d16 g4 b4 a8. g16 g2 \mBreak d8. d16 g4 b8. b16 a8. g16 g4 fis4 \mBreak d8. fis16 a4 c8. c16 a8. a16 a4 g4 \mBreak d8. d16 g4 b4 a8. g16 g2 \mBreak b4 \time 4/4 d4. c8 b4 b4 d4 c4 b4 b4 a8( g8) a8( b8) g2 \mBreak } \addlyrics { O -- lie o -- lie van de drui -- ven, Die de droef -- heid doet ver -- stui -- ven, Die de droef -- heid doet ver -- gaan. Geef ze aan je teer -- be -- min -- de, 'tis ter e -- re van de vrin -- den, Die nu hier ver -- ga -- derd zijn. Zet de le -- pel maar aan je lip -- pen, Laat het zacht -- jes naar bin -- nen glip -- pen, Laat het zacht naar bin -- nen gaan, O! O! dat voelt zij, O, dat voelt zij aan _ haar _ hart. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } }