\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "JESU weest ghegroet Almachtigh, / GODT en Kindeken [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key g \dorian \clef treble % \relative g'' { \set melismaBusyProperties = #'() \time 2/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) r4 g8 g8 d8 c8 c8. bes16 a4 g4 r4 \mBreak d8 e8 f8 e8 g8 f8 e4 d4 \mBreak g8. a16 bes8 c8 bes8. a16 a4 \mBreak g8 a8 bes8. c16 bes8. a16 a4 \mBreak d4 (es16 d16 c16 bes16) a4 g4 \mBreak d'4 (es16 d16 c16 bes16) a4 g4 \mBreak g'4 f8 g8 a4. \mBreak d,8 e16 (d16) c16 (bes16) a8. g16 g16 (a16 bes16 c16 d8.) \mBreak d16 e16 (f16) g8 g8. f16 g2 \bar ":|." \bBreak } \addlyrics { Je -- su weest ge -- groet al -- mach -- tigh, Godt en Kin -- de -- ken waer -- ach -- tig; Godt die al -- le schat -- ten geeft Kin -- de -- ken hier niet en heeft, O _ _ _ _ goet -- heyt! o _ _ _ _ soet -- heyt! O Godt o Kint! Hoe hebt _ ghy _ ons be -- mint _ _ _ _ Hoe hebt _ ghy ons be -- mint! } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } \layout { } }