\version "2.18.2" sb = {\breathe} mBreak = { \bar "" \break } bBreak = { \break } x = {\once\override NoteHead #'style = #'cross } gl=\glissando app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} ) kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} ) itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} ) ficta = {\once\set suggestAccidentals = ##t} fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}} dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}} dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}} dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}} ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}} dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}} dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}} pv = {\set Score.repeatCommands = #'((volta "1"))} sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))} tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))} qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))} xv = {\set Score.repeatCommands = #'((volta #f))} % At top of doc % prevent multi-page output: #(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm))))) #(set-default-paper-size "long")mBreak = { \bar "" \break } bBreak = { \break } \header { tagline = "" title = "Heyl'ge Jesu! Hemelsch voorbeeld! / Der Englen Hey [...]" } \paper{ %top-margin = 0\mm %bottom-margin = 0\mm %left-margin = 0\mm %before-title-space = 0\mm after-title-space = 0\mm head-separation = 0\mm %foot-separation = 0\mm %page-top-space = 0\mm ragged-last = ##f } \score { { \key f \major \clef treble % \relative g' { \set melismaBusyProperties = #'() \time 3/2 % #right == #1 % #begin-of-line-invisible == #(vector #t #t #f) \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) r2 c,2 f e2. f4 g2 a g1 f2\sb \mBreak f g a bes2. a4 g1. r2\sb \mBreak a2 bes c f, bes a g1 f2\sb \mBreak g e f d2. c4 c1. r2\sb \mBreak f2. g4 e1. f2 g2. g4 a1. r2\sb \mBreak bes2 a g1 a4( bes c d)\ficta b2. b4 c1. r2\sb \mBreak c2 bes a1. r2 bes2 a g1.\sb \mBreak a2 bes c f, g2. f4 f2\sb \mBreak c' bes a1. r2 bes2 a g1. r2\sb \mBreak a2 bes c1. f,2 g2. f4 f1.^"1)"\bar "|." \bBreak } \addlyrics { "Heyl'" -- ge Je -- su! He -- melsch voor -- beeld! Der Eng -- len Hey -- lic[h] -- heyd Werdt als duys -- ter -- nis ver -- oor -- deelt By u -- we Suy -- ver -- heyd. Je -- sus is mijn on -- be -- smet Hooft en Hert: mijn _ _ _ Geest, en Wet. Hey -- ligt my Hey -- ligt my: Ick moet Je -- su sijn als Gy. Hey -- ligt my Hey -- ligt my: Ick moet Hey -- lig sijn als Gy. } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 184 4) } } \layout { } } \markup { \wordwrap-string #" 1) Longa in de bron. " }