\version "2.18.2"


sb = {\breathe}
mBreak = { \bar "" \break }
bBreak = { \break }
x = {\once\override NoteHead #'style = #'cross }
gl=\glissando
app = #(define-music-function (parser location notes) (ly:music?) #{ \appoggiatura $notes #} )
kvs = #(define-music-function (parser location notes) (ly:music?) #{ \slashedGrace $notes #} )
itime = #(define-music-function (parser location timesig) (fraction?) #{ \once\override Staff.TimeSignature #'stencil = ##f \time $timesig #} )
ficta = {\once\set suggestAccidentals = ##t}
fine = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{Fine}}}
dc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C.}}}
dcf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Fine}}}
dcc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.C. al Coda}}}
ds = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S.}}}
dsf = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Fine}}}
dsc = {\once\override Score.RehearsalMark #'self-alignment-X = #1 \mark \markup {\italic{D.S. al Coda}}}
pv = {\set Score.repeatCommands = #'((volta "1"))}
sv = {\set Score.repeatCommands = #'((volta #f) (volta "2"))}
tv = {\set Score.repeatCommands = #'((volta #f) (volta "3"))}
qv = {\set Score.repeatCommands = #'((volta #f) (volta "4"))}
xv = {\set Score.repeatCommands = #'((volta #f))}

% At top of doc

% prevent multi-page output:
#(append! paper-alist '(("long" . (cons (* 210 mm) (* 2000 mm)))))
#(set-default-paper-size "long")mBreak = { }
bBreak = { }

\header {
   tagline = ""
   title   = "Marsch"
}


                \paper{
   %top-margin         = 0\mm
   %bottom-margin      = 0\mm
   %left-margin        = 0\mm
   %before-title-space = 0\mm
   after-title-space   = 0\mm
   head-separation     = 0\mm
   %foot-separation    = 0\mm
   %page-top-space     = 0\mm
   ragged-last         = ##f
}        
\score {
    { 
        \key f \major \clef treble
    
        %
                    \relative g' {
         
                \set melismaBusyProperties = #'()
                \partial 4*1
                \time 2/2
                    
                % #right == #1
                % #begin-of-line-invisible == #(vector #t #t #f)
                \override Score.RehearsalMark #'break-visibility = #(vector #t #t #f) 
                    
                c4 \grace{g'8} f4\mordent c8. a'16 \grace{g8} f4\mordent c8. a'16 \grace{g8} f4.\mordent e16 d c4 d \grace{d8} c4. \mordent bes16 a bes2\mordent
a8 f a c f4 a \grace{a8} g4.\mordent c,16 e g4.\mordent e16 g bes2.
a8 g a4 g8 a bes a g f \grace{f8} e4.\mordent d8 c4 a' \times2/3 {g8 f e} \times2/3 {e8[ d c]} g'4 a \times2/3 {f8[ e d]} \times2/3 {d8[ c b]} f'4 g
\times2/3 {e8[ f g]} \times2/3 {a8[ g f]} e4 d \grace{d8} c4\mordent a'8. f16 \grace{a8} g4\mordent a8. f16 \times2/3 {e8[ d e]} \times2/3 {f8[ e d]} e4 \grace{ e8} d4 c2 r4 \bar"||"
c4 \grace{a'8} g4\mordent c,8. e16 \grace{a8} g4\mordent e8. g16 bes2.
a8 g \times 2/3 {f8[ e f]} \times 2/3 {g8[ a f]} e4 d  d4\mordent cis r4
e4 \grace{g8} f4 \mordent d8. a'16 \times 2/3 {e8[ f g]} \times 2/3 {g[ f e]} \grace{g8} f4\mordent d8. a'16 \times 2/3{e8[ f g]} \times 2/3{g8[ f e]} \times 2/3{f8[ a g]}  \times 2/3{f8[ e d]} e2\mordent d2.
cis4 \grace{g'8} f4\mordent c8. a'16 \grace{g8} f4\mordent c8. a'16 \grace{g8} c,2. c4 <c a>8 <f c> <d bes> <c a> <c a> <bes g> <bes g> <a f> <a f>4 <g e> r4
c4 e4\mordent c8. e16 g4\mordent e8. g16 bes2~ bes8[ bes a g] \times 2/3{a8[ g a]} \times 2/3{bes8[ a g]} f8( g)
g4\mordent \grace{g8} f4\mordent d8. bes16 \grace{d8} c4\mordent d8. bes16 \times2/3{a8[ g a]} \times2/3{bes8[ a g]} f8( g) g4\mordent f2. \bar"|."
                    }
                                            \addlyrics {	
                
                }
                                
    }
	\midi {
		\context {
			\Score
			tempoWholesPerMinute = #(ly:make-moment 120 4)
		}
	}
	\layout { 
			}
}